About 

Ludivine Thomas-Andersson (b. 1986, France) is a French artist based in Lesjöfors, Sweden. She graduated from the École Nationale Supérieure d’Arts de Paris-Cergy (ENSAPC) in 2012, following a Bachelor’s degree in Fine Art at Sorbonne University.

Her practice is process-based and unfolds through simple, self-imposed protocols developed over extended periods of time. Working across painting, textile, drawing, installation, and performance, she employs repetition, accumulation, and gradual transformation as structuring principles. Time is approached as a material, and making as a mode of inquiry.

Rather than producing autonomous objects, Thomas-Andersson conceives works as evolving situations that respond to duration, space, and viewer presence. Many of her projects incorporate slow growth, erosion, or disappearance, allowing instability and change to become generative forces within the work itself.

Through these sustained processes, she examines questions of labour, value, and persistence, reflecting on the social and political conditions that shape visibility and productivity. By privileging slowness and non-teleological gestures, her work proposes alternative forms of engagement grounded in endurance, attention, and shared responsibility.

Her work has been supported by the Swedish Arts Council and developed through international residencies, including a six-month residency in Berlin (FRESH A.I.R., 2021–2022). She co-founded the artist-run space Tables.empty.workshop in France and has taught art history at Örebro Art School.

She lives and works in Lesjöfors, Sweden.